And I've finished reading Life, The Universe and Everything (still by Douglas Adams, obv) now.
So.
Thoughts are...hmm.
This one is a little bit of a jolt to read now, because I've read the other version of the main story now.
See, the tale of the Krikkit robots started out as a script for a Doctor Who movie starring the fourth Doctor (Tom Baker), but the BBC rejected it, and so Adams reworked it into the Hitchhiker's Guide universe instead. But a few years back, one of the modern Doctor Who screenwriters adapted that script into a novel with Adamsian prose. So my brain is sort of jumbling them together awkwardly. 😅 In most ways, it's more fitting as part of the Hitchhiker's universe, since it's inherently pretty goofy, and yet it's also sort of an awkward fit, since the story is much more adventurous and "dealing with a terrifying enemy" than the usual tale from the lives of Arthur Dent and co. Not to mention the oddity of slotting Slartibartfast of all people into the role of someone traveling about and trying to correct problems caused by time-travel. (I kind of wonder if maybe the BBC was actually deeply offended by the Krikkitmen story, and that's why the fifth Doctor (Peter Davison, who actually had a cameo in one of the episodes of the Hitchhker's Guide TV show) is dressed in what is essentially a cricket uniform.)
Uh.
Anyhow.
A few thoughts on the trilogy on the whole:
Firstly, these novels are actually quite short! I'd forgotten that. These days, he'd probably have trouble publishing them at that length.
Second, I found myself noticing various places throughout where the standard grammar rules we're told to observe at all costs were relaxed or outright ignored. (There was even a place where there were lines of dialog from two people were in the same paragraph! Thankfully, only the one, and it was very clear about the switch in speakers, but still, I was stunned.)
Third, he uses a lot of single-line paragraphs. Also ending a paragraph in the middle of someone's line of dialogue so that they're still speaking in the next line. Or lines plural. Things like this:
"Words of dialogue," Arthur said.
"Um, I mean," he added.
"Uh, that is," he continued.
Like that. Only not as dumb and pointless. And with a lot more spluttering nonsense noises. I found that quite surprising. (But again, it was always very clear who was speaking. Which is the truly important part!)
Anyway. Classic of sci-fi comedy, as always.
Not much else to say, since this is just me making a note about what I finished reading and when.
Now the question is "do I tackle one of the ever-multiplying books on my to-read shelf next, or do I finish off that ebook of short stories?"
Original language: English, of course
